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Camille Pissarro
Winter afternoon, the French Theater Square
mk259 1898 Oil on canvas years 73.7 x 92.7 cm
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Camille Pissarro
Boulevard Montmartre
mk259 1897 Oil on canvas years 62 x 78 cm
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Camille Pissarro
Theater Square, the French winter morning
mk259 1898 Oil on canvas years 73 x 91.8 cm
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Camille Pissarro
Mist of the French Theater Square
mk259 1898 Oil on canvas years 74 x 91.5 cm
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Camille Pissarro
Theater Square, the French rain
mk259 1898 Oil on canvas years 73.6 x 91.4 cm
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Camille Pissarro
Theater Square, the French rain
mk259 1898 Oil on canvas years 65 x 83 cm
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Camille Pissarro
Apple
mk259 1898 Oil on canvas years 63 x 81 cm
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Camille Pissarro
Sunset Pier
mk259 1898 Oil on canvas years 54 x 66 cm
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Camille Pissarro
Table flowers
mk259 1900 Oil on canvas years 54 x 65 cm
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Camille Pissarro
There s still life pepper
mk259 1899 Oil on canvas years 54.6 x 65.4 cm
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Camille Pissarro
Cloudy garden
mk259 1899 Oil on canvas years 73 x 92 cm
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Camille Pissarro
Spring garden under the sun
mk259 1899 Oil on canvas years 65 x 92 cm
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Camille Pissarro
Morning snow
mk259 1901 Oil on canvas years 73 x 92 cm
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Camille Pissarro
Morning snow
mk259 1902 Oil on canvas years 54 x 65 cm
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Camille Pissarro
The statue of the morning sun
mk259 1902 Oil on canvas years 73 x 92 cm
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Camille Pissarro
Morning sunshine
mk259 1903 Oil on canvas years 54.5 x 65.5 cm
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Camille Pissarro
Bank on the afternoon of
mk259 1902 Oil on canvas years 38.5 x 46 cm
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Camille Pissarro
Fishing port
mk259 1902 Oil on canvas years 65.7 x 81.5 cm
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Camille Pissarro
Fish market
mk259 1902 Oil on canvas years 54 x 64 cm
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Camille Pissarro
Afternoon sun
mk259 1901 Oil on canvas years 73 x 93.1 cm
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| Camille Pissarro
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Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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